The real money is made on tour and what better way to bring the crowds (as if U2 needs any help) then to give away the reason to see them play live.įor many bands, especially those who rose into prominence in the last 10 or 15 years, waiting five years between releasing new material pretty much undercuts whatever momentum they enjoyed the last time out. Unless album sales soar into platinum status, it’s apparently not worth the financial effort to produce physical CDs anymore. Now, whether or not U2 starts an industry trend by eschewing album artwork and thus the traditional album release, nonetheless they’ve certainly got people’s attention.
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It’s not as if the band has reinvented itself, they’ve always known how to push the envelope a bit and this time around they ripped it open.Īll anyone needs to do to get this album is get iTunes and download it.
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Waiting is always the hardest part for a new album, this one five years since U2’s last release, but a lot of thought and energy went into making this record. Bono is polished throughout vocally and brings one of his best performances to date. Yet it’s all cohesive and there isn’t one filler on the entire album. None of the songs really end where you think they’re going from how they start.
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Songs of Innocence is chock full of great rhythms and melodies and is so much easier to not only listen to but straight out enjoy from the first spin (or is it download?) than No Line.
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Finally, “The Troubles” close things out using guest vocals from Swedish pop singer Lykke Li on the chorus. “This Is Where You Can Reach Me Now” starts off with a tribal beat, then, like so many of the songs before it, drops right into a fun, toe-tapping beat. Don’t worry, it works well and guitarist The Edge drops in some great guitar riffs. “Sleep Like a Baby Tonight” brings in the most synths of any of the songs though it’s primarily a repetitive fill. “Raised By Wolves” is one of the most dynamic songs on the album – seriously, check out that chorus “I don’t believe anymore” – and “Cedarwood Road” adds some grunge.
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Thumping bass and a great snare open this one with Bono in command of the vocals in an abundance of ranges. “Volcano” is ripe with all the ingredients for a great rock song. “Song for Someone” cuts back on the tempo a bit adding a pretty acoustic line before those imposing vocals again grip you and then “Iris (Hold Me Close),” a love song to Bono’s mother, brings back that so familiar U2 guitar sound of the 1980s while Adam Clayton drubs along on his bass for a great accompanying beat. The chanting, as short as it is, and Larry Mullin Jr.’s drum beat gets in your head and Bono shows at 54 he hasn’t lost any range in his vocals. “California (There Is No End to Love)” is third which opens with a “Ba-ba-ba-ba-Barbara” chant – a nod to the Beach Boys – before diving into a solid rock beat. Much like the fantastic “Magnificent” from 2009’s No Line On the Horizon it’s got great melody then combined with Bono’s soaring if not heart-aching vocals that forces you to sit and get stuck in a moment. Songs of Innocence opens with an ode to the late Joey Ramone with “The Miracle (Of Joey Ramone)” a straight-forward hard rock song that starts with a great guitar distortion before Bono pipes in and then the emotive “Every Breaking Wave” is certain to get heavy airplay.